The Gretsch G2655 Streamliner is our pick for the best hollow body guitar, which has a red finish, 22 inlays, a spruce center block and is made with a maple body.
Our step-up pick is the Ibanez AFJ91 Artcore and it has knobs for tone and volume control. It is made with gold hardware, has block inlays and has 20 frets.
The budget pick is the Epiphone WILDKAT and it is made with a rosewood fretboard as well as classic pickups (P-90) with a mahogany body.
A Little Background
The hollow body guitar is a kind of guitar that is meant for added resonance. They come in semi hollow and archtop types of guitars. Semi hollow ones have an f-hole on them while archtop types have a different design. The point is that they are both unique and mostly made for jazz and blues, as well as some classical music.
Not using your guitar for a long time can be just as dangerous as if you overused it, much like a vehicle when stuck in a garage for the rest of the winter season. Make sure that you use it a little bit, so as not to make it worse when it comes down to storage and durability. Storing one should be done carefully as well, so that it will not rot away into your basement.
Guitar gear can be bought anywhere, as long as you have the right knowledge and budget. From amps, to cables to straps to anything – most malls will have a music shop in one way or another. This is because music is a very vital thing to all cultures, so you should be able to find one in your locality, regardless of where you live.
How we Picked
When you want to choose the best hollow body guitar, you need to consider the following:
Materials used (body): It is not just about the strings, but also how the body and sides were built. Common wood species or materials can be basswood, ash, alder and swamp ash. Some other body materials include spruce, graphite, plastic ad cherry.
Fretboard: Having a sturdy and reliable fretboard is important so that you won’t accidentally break it when the going gets tough. Examples of fretboard material include rosewood, maple, ebony and Indian rosewood.
Neck: the neck part can be made of nato wood, maple, mahogany, hard maple, basswood or alder.
Frets: Lower numbers of frets can be hard for expert players who are looking for something to play higher notes with.
Optimum genres: Genres for your instrument can include pop, rock, jazz, blues, folk, indie, ballad, country and many more.
Hand orientation: This can be decided in the way the sides are constructed, especially the curves and the like. You can either choose from left-handed or right-handed ones.
String type: If your guitar is quite expensive then it may be great to invest in a higher quality plucking device.
Number of strings: This can vary from 4 strings to 5 and up to the standard 6 strings. Some can even go for up to 12 strings if you want a high quality one.
As our top pick, the Gretsch G2655 Streamliner is made with a laminated top wood while maintaining a u-neck wood that is made of nato wood. There are 22 inlays for the frets and there is also a truss rod. If you want to have the great Gretsch sound then this is the one to pick. It is also good even with high gain and it has a humbucking pickup system.
Flaws but Not Dealbrakers
While not a deal breaker, the Gretsch G2655 Streamliner may not be that good for overdrive sounds, but that is the forte of solid body guitars, anyway.
The Ibanez AFJ91 Artcore is our step-up pick, which is made with gold hardware for better sound quality and connections. It is made with 20 frets and a mahogany and maple neck. The ART-W bridge gives it superior control while the volume and tone controls give your instrument a much more customized mix. Its bridge is also adjustable and it has a tapered neck as well.
The Epiphone WILDKAT is our budget pick, which is made with rosewood on its fretboard and flamed maple for the top part. The body is made with sturdy mahogany. It has a scale of 24.75 inches and it is made with classic pickups with a P90 dogear design. It also comes with a B70 vibrato so you can make your sounds more unique. It also has a D-profile neck.
Best Hollow Body Guitar with a Tune-O-Matic Bridge
The Oscar Schmidt OE30 is a great hollow style design with a tune-o-matic bridge. It has controls for volume, tone and a 3-way switch. There is a stop tailpiece that is not found on other types of instruments out there. There are 2 tone and volume knobs present so you can control your sound more precisely. There are also 2 humbucker pickups that can enhance your music.
Best Hollow Body Guitar with a C-shaped Neck
The Epiphone ETOLHBNH1 has a honey burst finish, has a scale of 25.5 inches and has a rounded profile or C-shaped design for the neck. The rosewood fingerboard makes it durable. It has a piezoelectric configuration for the pickup and it has an adjustable bridge system. The body is made with quality mahogany that can last a long time.
Best Hollow Body Guitar with a Mahogany Neck
The Ibanez Artcore AS73 is a good choice for when you want something with a mahogany neck. It has a fretboard made of rosewood and it has a total of 22 frets. Its body is made out of maple with a double cutaway design. The ART1 bridge system also makes it durable for the strings. The mahogany neck is made with an artcore set. The pickup configuration is an ACH plus and its bridge is adjustable as well.
Best Hollow Body Guitar with a Maple Top
The Dean COLT CBK has a maple top and body and is made with chrome hardware. The fingerboard is made of rosewood and it has a set neck for durability as well. It has a total of 22 frets with pearl dot inlays and it is made with chrome finish for the hardware. The pickup on the neck and bridge are made with DMT design chrome, plus a gloss finish for the body.
Best Hollow Body Guitar with Nickel Plated Hardware
The Epiphone ES-339 has a d-shaped neck, has nickel plated hardware and has a push pull coil tapping system. It has a cherry red finish and it has a D-shaped profile for its neck for ease of control. The single coil tone makes it great for standard genres. It has 22 medium jumbo frets and has a push and pull coil system. It also has an output jack for headphone use.
Best Hollow Body Guitar with Coil Tapping
Also made with coil tapping, the Epiphone SHERATON-II PRO has a vintage design and it is made with a fingerboard made of rosewood. It also has good volume knobs on the bridge. It has medium jumbo frets and has volume knobs for ease of control. Its bridge is made with tune-o-matic design and it also has a tailpiece made with a stop bar. If you want something with a 60s design then this is a good choice.
Best Hollow Body Guitar for Vintage Sounds
The Danelectro D59MOD-BLK is good with vintage sounds and it also has a rosewood saddle bridge. The lipstick pickups make it unique and the side edge tape has a good texture. It has 3 individual tuners. It also has a seal pickguard to protect your instrument body and it also has an original headstock with a bottle design but slightly modified from the original (this is based from a ‘59 model).
Other guitars did not make it to our list because they lacked in materials for durability and were also not very good in their string construction, as well as the f-holes.
Other Frequently Asked Questions
Q: Are there pros and cons of a f-hole design stringed musical instrument?
A: The hollow body design stringed musical instrument, also known as the f-hole stringed musical instrument, does have its share of pros and cons, such as the following:
|Pros of a F-hole design Stringed musical instrument|
|Clean sounds||The f-hole design stringed musical instrument is able to make clean sounds that will help captivate your audience even better, resulting in a cleaner mix.|
|Physically attractive||There is nothing more aesthetically looking than the design of a f-hole design stringed musical instrument due to the similarities with a double bass or a violin.|
|Great for jazz||One great thing to know about with f-hole design stringed musical instruments is the fact that it can be used for jazz, blues and similar forms of music.|
|Cons of a F-hole design Stringed musical instrument|
|Not good with too much gain||Like with most stringed musical instruments, gain kills the tone and it doesn’t give you a lot of emphasis.|
|Feedback problems||It does have feedback problems, but some can remedy this using a noise gate suppressor.|
Q: What’s the difference between the semi-hollow and the f-hole design?
A: Both of these types of stringed musical instruments do have differences, such as the following:
High frequency: the hollow stringed musical instrument has more mellow highs than the semi-hollow.
Attack: compared to the semi-hollow, the full hollow stringed musical instrument has seriously softer attacks.
Genres: hollow ones are more used in jazz compared to semi-hollow ones.
Q: What are the different parts of the stringed musical instrument?
A: This depends on the type of stringed musical instrument you have, but here are the general parts:
- Head – this is the part of the stringed musical instrument that houses the headstock, tuning keys and nut.
|Headstock||This is the part of the stringed musical instrument where the tuning keys are located.|
|Tuning keys||They are also called tuning pegs and are the ones you need to use when it comes down to tuning a stringed musical instrument.|
|Nut||They are the dividing elements between the neck and the head part of the stringed musical instrument, and where your strings cross over to the other side.|
- Neck – this is the part of the stringed musical instrument that has the fretboard, frets and position markers.
|Frets||The frets are the parts of your stringed musical instrument neck in which you put your fingers over to create a chord or two.|
|Fretboard or fingerboard||This is the main board in which frets are located so that you can be able to press on them. They are an essential when it comes down to playing your stringed musical instrument.|
|Position markers||These will let you know which chord you are playing or trying to strum on.|
- Body – this is the part of the stringed musical instrument that has the pick guard and the bridge.
|Pick guard||These are present so that when you use the pick, your stringed musical instrument body will be protected from scratches and ruining the cosmetic finish.|
|Bridge||The bridge serves as the endpoint of the strings so that your strings will not go anywhere.|
|Strap pins||The strap pins are found in both acoustic and electric stringed musical instruments, more commonly on electric ones, so you can hang your stringed musical instrument with a strap when performing live while standing up.|
- Acoustic exclusive parts – these are the parts that are only found on the acoustic stringed musical instrument:
|Sound hole||The sound hole acts as the pickup of sorts for your acoustic stringed musical instrument because of the resonance effect that is the whole acoustic stringed musical instrument itself.|
|Saddle||The saddle is the part that takes the bridge.|
- Electric exclusive parts – these are the parts that are only found on the electric stringed musical instrument:
|Pickups||They are the ones that pick up the vibrations of your strings and then convert them into electronic signals to your pre-amp and amp.|
|Pickup selector switch||These allow you to switch between your single coil pickup and humbucker pickup.|
|Tone and volume controls||These can adjust the loudness or volume, as well as the tone of the notes and strings.|
|Output jack||This can allow you to practice even with a headphone on.|
Q: What am I doing wrong with stringed musical instruments?
A: If you have been playing stringed musical instruments but keep making mistakes, here’s what you are probably doing wrong?
- Wrong tempo – Tempo and timing, when gone wrong, can completely turn off your audience and make the musicians frown at your performance. Even if you do get that vibrato solo right, it’s not really a clean performance without proper tempo.
- Fretboard problems – Rather than the placements and positions on the fretboard, you should focus on the key in mind, just as how you’d know each letter of the keyboard when typing on it, even without looking. Muscle memory takes years of practice, but you’ll get the hang of it.
- Worrying about mistakes – Let’s face it – everybody makes mistakes in one way or another. In fact, your audience won’t really care if you played off-tune. Sure, some pros at the back may have something to say, but don’t let it go to your head – stay cool, because even pros make them sometimes.
- Looking instead of listening – Some musical techniques like the vibrato are all about listening rather than looking at a player’s hands.
- Stopping on a scale – When you learn a scale, you don’t have to stop on that certain scale! Learn the different associated scales and you’ll have a map across the fretboard in no time.
Q: What classical stringed musical instrument mistakes are common to players?
A: Learning the classical stringed musical instrument can be quite a tedious task, and here are some common mistakes that players potentially do:
|Bracing||This can be solved by floating, so that you don’t end up causing tension with your ring or pinky fingers.|
|Poor alignment||You should sit upright with a good sitting position so your fingers and back don’t hurt.|
|Bicycling||This is when you put too much tension due to accidentally hooking the strings and snagging.|
|Splayed fingers||These can be caused by too much distance between your fingers when you play.|
|Bouncing||This is the habit of lifting your hand when plucking, which might make you miss a note.|
Q: What are the ways I can possibly have a better career in the music world?
A: So you want to be famous? Well, being in the limelight as a band or a solo artist isn’t something magical like a unicorn. Here are ways you can potentially get noticed:
- Talk to different people in your locality and on the internet. If you make friends with other bands, you’re sure to get some attention in one way or another.
- Travel and tour around your locality. You can go to places and neighboring towns and cities as well, so that other communities might also hear your story.
- Don’t ignore sudden ideas – put them to action. Don’t let that idea go – write it in your phone’s notes or on a piece of paper because ideas like that will fade away if you don’t give attention to it. The same thing is true for when you’re in the bathroom. Your ambition should be concrete, it should not be something that is unrealistic.
- Reinvent an existing genre or movement. Don’t stick to one genre! Instead of being in the cesspool of cliché acts, be a unique something.
- Know who might be your fans. Who will you write a song to? Is it those animal and human rights advocates? To those who’ve been ripped off by politicians? Your lyrics are part of your marketing strategy.
- Upload your stuff online. Examples of free sites you can promote your music on are Bandcamp and Soundcloud. And of course, there’s our good old YouTube. If you don’t post them online and join communities, how will your music be heard?
- Give free stuff from time to time. Just because you posted something on YouTube for a free download doesn’t mean you are letting people rip you off. It’s about sharing and caring for your audience.
- Keep a good band image. However, keep in mind that you should work hard first to get noticed by companies and get more fans before you actually hire a professional PR guy or girl. PR is something that can be fueled by common sense, much like SEO.
- Record and watch your rehearsals. In this way, you are being your own critic so that the next time you hop onto the stage, you’ll know what to do.
- Name your band uniquely, according to your interests. Is it Riverdale? Is it NBA or the NFL? Or perhaps it’s about apocalyptic predictions? Is it about veganism? About diet crazes? You name it – people are surely going to be interested in something unique.
- Keep practicing and be patient. Success doesn’t happen overnight – many artists have tried years and years of practice. Even Freddie Mercury and the rest of Queen took millenniums of rehearsals before they became legends.
- Know that there will be a place for you eventually. It might not be on TV singing with rock legends who are still alive today. It might not be in a big concert dome. But eventually, you will find your own style and there will be a place for you somewhere, even when not totally in the mainstream scene.
- Make success happen by working hard. Being an artist isn’t just about talent – it’s about putting that talent to good use and to maximize everything that you have as an artist. Don’t just practice – practice hard. Give it your all with every performance but be sure to consider technique as well.
Q: What are some common myths with stringed musical instruments?
A: Most people think this and that when it comes down to playing and maintaining stringed musical instruments. However, there are some things that aren’t true, such as the following:
|Learning the stringed musical instrument is easy as 123.||It is definitely not easy, since you will be up against harsh strings and complicated hand placements on chords.|
|You can’t play the stringed musical instrument if you have short fingers and hands.||Nobody set rules for whether you have short or long fingers – even those with short fingers can play any instrument, both stringed musical instruments and pianos. It is all in the technique and execution of things.|
|You can easily learn it online.||There are many online resources, but some techniques are best learned offline from friends and music experts.|
|You need to have natural musical talent in order to learn stringed musical instrument.||No, stringed musical instrument talent can be learned for years. Even those with musical blood in them can’t play the stringed musical instrument properly if they don’t have a lot of technique, practice and training.|
Q: What challenges do bands and musicians face and what can I do to solve it?
A: Challenges can make musicians and bands stronger. Here are some things that you, as a musician or even just as a band player, can do to overcome these challenges:
Diss the haters creatively. Why not blow them off with a song? Most of the best written songs are based from how they’ve risen above the haters. Either they’re that senior executive from that music shop downtown, or some random dude who have absolutely no background in music. True musicians won’t “hate” your music – they’ll just leave some feedback and constructive criticism.
Don’t worry about a small audience. Perhaps the weather is bad, perhaps people are out of cash or perhaps you booked your event in the same date as some other event, so the audiences were halved.
It’s okay to cancel your shows for emergency reasons. Think about how the remaining members of The Beatles dealt with John Lennon’s loss back then. People need to cancel shows for different reasons – we’re all humans and we deal with pain. Just explain to your fans why you have to cancel shows, and we’re sure that they will understand it well.
Avoid getting ripped off by capitalists. Due to these rip-off and corrupt people, some people eventually quit bands. These corrupt people are those who don’t understand that it takes blood, sweat and tears to make music, let alone play an instrument such as the stringed musical instrument. Learn that not every promoter is like that – it’s about searching for a better and more trustworthy person.
Gear getting stolen or wrecked happens to people. Stringed musical instruments and amps can be worth a fortune, and this is why people may be bent on breaking in your house or apartment. Worse, your unit or home could be engulfed in place in an unavoidable scenario and you end up losing your $1,000 stringed musical instrument and other gear.
Musicians can get broke. We’ve all been there. Music is a gift, but not everyone is born rich. Stringed musical instruments can cost a fortune, and so can amps. Unfortunately, your job doesn’t give you enough yet you still want to pursue your dreams of being on TV as a musician, or at least tour around your locality. Try balancing your job first and then earning some more to continue with your music.
Q: What common problems do professional musicians face in terms of business?
A: If you’ve already made it somehow in the music business as a regularly releasing band, here are the different problems you can face:
|Demo disappointment||With no signs of the recording companies ever contacting you with those demos, you’re left in worry. But don’t fret, you might have just submitted the wrong demo for the wrong company, or you can come up with something better soon.|
|Review getting dropped||You were told that you will be reviewed and interviewed in a news article, but it never happened and you were replaced by somebody else. Clearly, this is one of the most frustrating things, ever. Don’t let it discourage you – there are still many opportunities to come.|
|Little to no crowd / cancelled gig||What’s worse than an empty venue? A cancelled gig, of course. It can be due to various things, like a bad weather or a conflict of schedules. Next time, plan your gig ahead of time and consider the variables.|
|Getting broke||Being a regular musician can also mean something on your wallet. In times when you are financially broke, you should also invest in other things first, like a small business. Don’t expect music to be your primary source of bread and butter, because people don’t need to buy music often as they need to buy food.|
|Royalty collection||Regularly releasing bands may have problems in royalty collection, and things can get out of hand. Proper communication is the key.|
|Copyright issues||Again, with the right communication, you can deal with copyright issues as well.|
|Lawsuits||Sometimes, when lawsuits are filed, you need a trustworthy attorney to do the job.|
Q: Are there pros and cons of DIY releasing a band album?
A: Most bands decide not to get a label to distribute their album and do something on their own. Here are the pros and cons to a DIY band album release:
|Pros of a DIY released album|
|You own the rights||It’s all you (or your band) – no (insert company name here) copyright stuff. All the copyright is yours and yours to keep. Those things are often harmful to content creators on YouTube who can’t use your song for entertainment purposes because copyright issues are being a jerk.|
|Earnings are yours to keep||Because the money comes from your own pocket, earnings don’t have cut on taxes and employees and whatnot. It’s yours to keep!|
|No pressure on release dates||You don’t have to get stressed on finishing your entire EP or album within 1 week!|
|You decide on your musical direction||Some companies like to change your image, and it’s unhealthy for musicians because it kills their creativity for profit purposes.|
|Nobody nagging or holding your neck||Ever heard of the word “freelance job”? That’s exactly the biggest benefit of being a DIY artist – no executive holding you on the neck.|
|Cons of a DIY released album|
|You need a fair amount of fund source||DIY anything is always costly, because you need to provide funds for physical CDs and whatnot. Unless you can also do the artwork yourself, it can also cost some bucks to hire a graphic designer for the album.|
|Lack of contacts and promotion||Being a DIY artist is no joke – you have little exposure and it gets hard to promote. But hey, that’s only for the beginning. Once you’ve been heard, you’ll get exposure, eventually.|
|It can be time consuming||Yes, promoting by yourself or with your bandmates is much more taxing than having an agency do it for you, but some people actually find this a pro rather than a con, because that’s the fun of being a musician – getting in personal touch with your audience.|
|You might face other challenges||Things like lack of CD materials, problems with renting a studio, conflicting schedules with recording, and other problems can arise. These can be resolved with proper planning.|
Q: On the other hand, what are the pros and cons of getting into a label?
A: While some people like being self-made musicians, some want to depend on a label. Here are the pros and cons:
|Pros of a label or recording company|
|Great promotion||Music companies will do the promotion for you, and you’ll reach a wider audience.|
|More opportunity to earn from music||Because you’ll get more spotlight, you’ll also likely get more sponsors for your music.|
|You get famous fast||Nothing beats the lightning speed of fame while in a label or recording company.|
|Cons of a label or recording company|
|Labels will fire you if you’re not selling well||It happens: you join a label and you’re still not selling well. The worst case scenario – they’ll kick you out.|
|Most will rip you off||Worse than not selling well, some will eventually just rip your aspirations and budget to shreds, just like the stringed musical instrument you’re shredding.|
|Employees come and go||For instance, the person who once discovered your music and signed you to the company may have resigned the next day, and you’re now left with total strangers who may not like your music at all.|
|Executives aren’t always musicians||Some just put up a music company for, ahem, profit. The solution is to find a label with executives who are probably retired musicians rather than big, fat guys who only care about the $$$ and not your originality.|
|You just can’t be “yourself”||It’s hard when someone is holding your neck and controlling which should be released or not. While this is okay if you want to make “business” out of your music or a “living” out of it, for those whose music is for “art’s sake”, this might not be comfortable.|
Q: What are some good reasons to politely ask someone to leave your band?
A: Being in a band is a tough job because there needs to be some sort of teamwork and unity. If one person is not being helpful then the best decision you can make is to take that person out of the group. Here are reasons and signs that you might have to say goodbye to one band member and replace him or her with a better one:
- They’ve got that “attitude”. Nope, we’re not talking in terms of “badass attitude”, we’re talking about a guy who is just plain rude. Said person might pick fights with bands easily, constantly bicker at other bands’ skills, and are just mainly concerned with fame and money. If this person exists in your band, it may be unhealthy for your group.
- They don’t have time for practice and gigs. If this person always shows up late or don’t show up at all during rehearsals and gigs, then that means they lack commitment for your music, and are more likely to do the same with other areas of their work or field as well. If you really love something then you’ll do everything to be punctual and present for it.
- The band you’re in is just a side project of this person. They are likely going to be absent in the event of a big tour, and this is why you should ask them as to which band they are best committed to, and will they have time for your band after all. Being in a band takes dedication, and you can’t just bring someone from another band because that divides the attention.
- Their style and skill is different from yours. Part of what makes a band successful is a similar taste in music and skills. If you’re a metal band but this dude keeps on ranting about reggae music then they should join a reggae group instead. In the same way, if you think their skills aren’t cut out for the rest of the band, they may want to join a different group instead.
- It’s just hard to deal with them in general. Bands are all about bonding, teamwork and moral support, as well as respect. If you can’t really be friends outside of music then there’s less of a chance of collaborating with them in a band. If most of the members just can’t stand this person because of so many reasons, then it may be best to get him or her out of the band.
After you’ve decided to vote out a band member, here’s what you need to remember:
- Check your contract and record deals, if present. If the said problem is the person who actually started the band (e.g. your vocalist and founder is just too full of himself and inconsiderate to his band members) then you might as well disband. Check for anything written in your contracts and consult a lawyer before officially firing a band member or disbanding to avoid copyright lawsuits.
- Talk to the person politely. There’s no point in keeping it to them for too long – say what you want to say, but be polite and honest. Gather all the group members and give all of the explanations that you want to give to the person. Let them know that what you are doing is for the best.
- Tie up all the loose ends. Manage any debts that you haven’t settled or arguments that you haven’t discussed thoroughly, including how your drummer stole your ex-girlfriend from you. End any contracts that are existing, and cancel tours if you want to disband. By tying up all the loose ends, you’re ending one chapter to the book, and beginning another one.
Q: What are the pros and cons of using real amps versus VST amps?
A: VSTs or virtual studio technology plug-ins are types of software that can be associated with your digital audio workstation or DAW such as Ableton, FL Studio, Cubase and the like. They can emulate a stringed musical instrument rig (there’s actually a VST named “Stringed musical instrument Rig”) so you don’t have to spend too much for a real amp, whether it is a solid state amp or a tube amp. Here are the pros and cons:
|Pros of VST amps|
|No space needed||VSTs only take space in your computer, not in your bedroom!|
|Economical and cheap (sometimes free)||Some VSTs are free while others only cost less than $10!|
|Provides a similar quality sound||While they only emulate sounds of your tube amp, they are actually pretty good at doing it.|
|Cons of VST amps|
|Quality depends on your computer’s latency||If your computer’s quality for latency isn’t that good, there can be delays in quality.|
|Some are just purists||Some folks are just tube purists – deal with it.|
|Pros of real amps|
|Exercises your studio mixing skills||Most purists will say that there’s nothing like arranging microphones on a real home studio.|
|Ability to play live||It can be unsightly for some people to bring a laptop instead of using the amp on stage.|
|Cons of real amps|
|Costly||Amps will cost a lot compared to VSTs.|
|Lots of space needed||If your home or apartment is hamster sized then amps might not be for you.|
Q: How do you make sure that your band is ready for its first concert or gig?
A: If your band is still fresh and haven’t experienced its first concert or gig yet, here are things you need to prepare:
- Talk to the promoter and venue people.
- Get lots and lots of practice.
- Get smart opinions from people who care.
- Promote your stuff on social media.
- Get to know the other bands or acts in the gig or concert.
Q: How do you exercise stage etiquette while playing stringed musical instrument?
A: When you are playing stringed musical instrument on stage, you need to be careful physically and verbally, and you should avoid these mistakes:
- Avoid standing on the stool where you might easily fall.
- Don’t carry a stringed musical instrument that is too bulky and dangerous if you intend to run around.
- If you can, go cordless – this can save you from accidents like tripping on wires.
- Don’t let anyone sit or stand on the amp(s).
- In the same way, don’t let anyone sit or stand on the monitors (speakers).
- Be careful with fast picking, as you can potentially lose that pick.
- Thank the sponsors and the event venue.
- Stay for other acts that might come later in the show.
- Keep your cool and respect others.
- Be responsible with your gear, and of other people’s gear.
Q: What are the pros and cons of digital released albums?
A: Today is the digital age, and people are probably skipping on your DIY CD releases. Not much people will be found purchasing physical copies, because you can just stream your favorite band’s music on Spotify, iTunes and other sites and services. Here are the pros and cons to a digital release:
|1. It’s cheaper than a physical release.
2. Digital releases are cheaper for fans to buy.
3. Percentages are a lot better when it comes down to digital releases.
4. You can do it at point and click speed, reducing the likelihood of a delayed album release.
|1. Promoting your album is always the biggest challenge.
2. There are so many people already releasing music online, and it’s hard to get through.
3. You’re on your own with less helpers to market your music.
Q: What are the basics of stringed musical instrument shop etiquette?
A: A stringed musical instrument shop can either be a good or unpleasant experience for musicians. To avoid being “that guy” in the stringed musical instrument shop, here are some important etiquette you should follow:
- Don’t be in a hurry to test your new stringed musical instrument.
- Go for the right time in testing the instrument.
- Don’t spend a lot of time in just one instrument.
- Don’t use the shop as a concert venue.
- Don’t turn up the amp too loudly.
Q: How do you make sure you clean your stringed musical instruments properly?
A: You can clean up your stringed musical instruments and maintain them if needed, so that you can expect years of more usage for them. Here are the different ways to do so:
- Change your strings as needed.
- Wipe your fretboard from dirt and grime.
- Add polish for your stringed musical instrument body and neck.
Q: How are blues and jazz different from each other?
A: Two genres, blues and jazz, look and sound pretty similar, but are different in various aspects, such as the following:
|Origin||Africa, Europe and various traditional music.||African-American music and spiritual music|
|Tone||Has a swaying and smooth motion and in some ways, can also have a fast tempo with abstraction.||Usually slower than jazz, has a melancholic tone.|
|Uniqueness||Usually characterized by syncopated melodies and chords.||Usually characterized by emotive lyrics and certain patterns of chords.|
|Associated genres||Fusion, swing, soul, funk, calypso||Bluegrass, R&B, rock, rock and roll|
|Notable artists||Louis Armstrong, Frank Sinatra, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, Miles Davis||Eric Clapton, B.B. King, John lee Hooker, Gus Cannon, T-Bone Walker, Sonny Boy Williamson, Rev. Gary Davis|
Q: When should you teach your child stringed musical instrument?
A: Children can learn the stringed musical instrument more efficiently if they are at least 10 years old, or able to comprehend with the physical stresses in handling the strings and the like. Any age will do, but the best way to go is for when there is a sense of maturity and development in your child.
Wrapping It Up
As a whole, we think that the Gretsch G2655 Streamliner is our pick for the best hollow body guitar due to the beautiful red finish, 22 frets, maple construction for the body and a spruce center block.