Best Wireless Guitar System

The Xvive U2 rechargeable is our pick for the best wireless guitar system, which can reach up to 100 feet in its range and comes with a power cable, receiver and transmitter in one setup.

Our step-up pick is the Line 6 Relay and it can withstand up to 200 hours of sleep time in each charge. It can have range of up to 50 feet and it is powered at 2.4 GHz in its wireless system.

The budget pick is the CloudWire Rechargeable  and it does not have RF compression and maintains a good range of frequency. There is also a 180-degree guitar jack for your convenience.

A Little Background

A wireless guitar system is a kind of system that makes the use of wireless connections in order to make the connections between the amplifiers and gadgets to your guitar. This is a more advanced setup that requires no wire at all, so it is great for stage performances where you want to move around and minimize the dangling amount of wires on your setup.

Your gear does not always define your performance – your skill does. Most often, players do not remember to keep their humility and brag about their latest gear and depend on them. While it is okay to have better gear to have an improved sound, if you are not mastering the techniques very well then what’s the use of your gear? You should pay attention to practices even more than buying gear.

As with every instrument, nobody learns overnight – not even legends. However, when learning technique, you must hold on to that passion so that you will not lose your spark. If you want to be famous then you have to keep a lower profile but mingle with others very well, dealing with various kinds of people.

Keeping your music gear in shape is just the same as keeping your skills alright. Your music gear’s condition defines what you are and your personality so you should take care of it. Each of these gear should be responsibly kept in a storage and should be cleaner regularly or replaced as needed to avoid taking its toll on your own instrument.

Make sure that before you go out into the stage, you are well-prepared with your gear and your piece and skills. The gear should be well-cleaned and setup and your guitar should be tuned properly. You should practice well enough and long enough so that you don’t run into too many mistakes with your performance.

Playing guitar is never an easy task because there are many variables to consider. You have to consider the chords, the choice of songs, the tempo, the condition of the instrument, the tuning, and many other factors. Beginners usually give up because fingers can hurt whilst the play and hold on to chords, especially with steel strings.

Making a mistake when playing is always not easy to avoid, and is natural. People make mistakes, and you should not panic when you do, because people will more likely laugh at your reaction than your mistake. Always remember to keep your cool even if you do make a mistake – that is how you learn as a musician and as a person.

How we Picked

When you want to the best wireless guitar system, here are some criteria you need to consider:

Ease of setup: it should be a simple to setup system so that it will be simpler to both beginners and advanced users to building the stringed musical instrument.

Type of guitar: consider the type of guitar that you want to use it with. For instance, do you want an acoustic sound or an electric sound from it? The choice is yours.

Ideal genres you can play it with: Different kinds of genres call for a specific kind of tone so that you will not get an off sounding melody or rhythm.

Other instruments: you can also potentially use this kind of system for other instruments such as the bass, violin and the like.

Our Pick

As our top pick, the Xvive U2 rechargeable, which has a battery life of 4 to 5 hours. It is made with a lithium battery so it does not have a memory effect. It has a latency of less than 6 ms and it has a range of up to 50 feet. It is complete with a power cable, transmitter and receiver. It has a frequency response of 20 Hz up to 20 kHz and comes with everything you need, such as the USB cable, batteries and accessories.

Flaws but Not Dealbrakers

The only con but not a deal breaker with the Xvive U2 rechargeable is that it does not come with a rechargeable adapter, but you can easily get one from a local store, anyway.

Step-up Pick

The Line 6 Relay is our step-up pick, which is also a system with an included rechargeable transmitter. It has a range of 50 feet and has a playing time of up to 8 hours. It has an easy audio mute design and it is also a plug and play system that is very easy to set up. Its audio mute mode also has a no-pop feature so it does not interfere with your signals for recording.

Budget Pick

The CloudWire Rechargeable is our budget pick, which has a good 20 Hz to 20 kHz of frequent range. It is great for passive guitars and it has a good battery life of up to 8 hours. It has a distance of up to 100 feet and it uses no RF compression as well. You can use it on any 2.4 GHz wireless frequency and it has a good 20Hz to 20kHz frequency range.

Best Wireless Guitar System with an IR Sensor

The Belcat Rechargeable has an IR sensor and has a charge LED light so you’ll know when to use it. The device works well not just for guitars but also for other instruments. You can use it for connecting amps and other devices that will need to be on your instrument. It has a universal design so it will work on most instruments.

Best Wireless Guitar System that is Rechargeable

The WJLING 2.4G Rechargeable can be easily plugged and played and has a good range of up to 100 feet or 30 meters. It can work up to 6 hours and can charge up to 3 hours. It can be charged by its USB base and it has an alert tone to let you know when it is time to charge. It can also work on various instruments like the piano, saxophone, keyboard, violin, bass and the like.

Best Wireless Guitar System with a Gold Plug

The Rowin 2.4GHZ has a gold plug to improve the quality of sounds. It has a transfer delay of only 12 ms and it can operate for up to 100 feet. It has a battery life of 5 to 8 hours and it can support up to 6 instruments or devices at the same time. It has the capability to work on various instruments as well, such as violins, keyboards, bass and many more.

Best Wireless Guitar System with a Lithium Battery

Having a quality lithium battery for longer lasting life, the Donner DWS-2 can support up to 4 instruments at the same time. It has an average battery life of up to 2 1/2 hours. It can transmit signals up to 100 feet and it guarantees good quality tones. It has a rotatable head of up to 180 degrees for reaching a better signal for your instrument of choice.

Best Wireless Guitar System for Professional Use

For professionals, you can go for the Nady UHF-24, which has a range of up to 500 feet. It has a dynamic range of up to 120 dB and it has a receiver design with a half rack configuration. It is made to have lower noise due to how it was made for its circuitry. It has a capability of being supportive for up to 2 instruments at once.

Best Wireless Guitar System for Small Venues

The Getaria Black 2.4GHZ can work for up to 6 groups and has a very short delay. It can transmit up to 30 meters and it is a plug and play system. You can use it for 1 to 1 transmission and it can produce a 48K high-quality tone with minimal delays in the signal.

Best Wireless Guitar System for Electric Guitars

The Nady DKW-3 GT can be used for electric guitars and has an operating range of up to 150 to 300 feet. It depends on a simple 9-volt alkaline battery and it can be powered for up to 15 hours. The pack also comes with all the hardware needed, such as the AC adapter, wireless bodypack, cables and many more. It also has an audio output jack for various music players.

The Competition

While others look promising, they did not make it to our list because they were hard to assemble and were not of good durability.

Other Frequently Asked Questions

Q: What are the things that you need for a no-wire connection? How about a wired one?

A: For stringed musical instruments, wired connections are the things of yesterday and many people have been switching to no-wire ones. Here are the things you need for a wired connection:

  1. Good shielding – the shielding refers to how coated the wires are, so that you will be able to reduce the amount of interference or outside noise that comes into your wire connection. In this way, you can have a better sounding stringed musical instrument connection so you can have decent music.
  2. Impedance – the impedance also has something to do with the noise that gets into your wires. Think of it as your headphones or speakers. The impedance can play a role on how much noise gets into your wires, much like with the shielding property.
  3. Quality of connectors – the connectors should also be of decent quality with the hardware and the plating so that it will not sacrifice the quality of the audio recording of your instrument, such an acoustic of electric stringed musical instruments.

On the other hand, here are the things you need for a no-wire connection:

  1. Style of compander – the compander is also known as the compressor for a no-wire signal. If your compander is too harsh then it might not result in a natural sounding tone.
  2. Licensing issues – this refers to the no-wire spectrum and frequencies. The most legal frequency is 2.4 GHz or the Wifi signal.

Q: How do you properly set up acoustic stringed musical instruments for recording?

A: An acoustic stringed musical instrument can be a great way to make a song, but improper mixing can result in an overall failure for your recording. Here are ways to set your recording habits straight:

Get a good microphone Go for a small diaphragm one if you want clear highs while large diaphragm ones for a warmer tone.
Microphone placement A good way to place your stringed musical instrument microphone is through the following strategies:

1. At the bridge – for balance

2. Between sound hole and neck – for a percussive feel

3. Two microphones – blending both balance and rhythm

Add compression Run your stringed musical instrument sound through a compression plug-in from your DAW and add some compression to it, so that it will have a little more punch.
EQ or equalizer Acoustic stringed musical instruments will sound muddy when you don’t EQ them enough, so you have to make sure you do run it through an EQ so that you can remove some of the low frequencies.
Reverb (optional) If your recording area is not really a place of natural reverb, consider adding a reverb effect to your finished stringed musical instrument track. In this way, you can adjust the room size and whatnot. This helps if you’re not really a microphone expert.

Q: Does the stringed musical instrument lead have an impact on the overall sound?

A: The stringed musical instrument lead or the cable lead is probably what makes the great sound, but it is not always the case. Even if it is gold plated, it doesn’t guarantee that it will improve your sound – it roughly depends on your source and how you will be able to tweak it using your mixer or DAW EQ.

Q: Why is it important to take care of your stringed musical instrument gear?

A: Keeping your gear together is also a challenge when performing live. Your cables, strap, picks, pedals and most importantly, your stringed musical instrument, should be kept in order to avoid losing them or breaking them. Some irresponsible players borrow from others, but you should not always depend on them. You should make it a habit to bring your own gear because the sound may be different if you use other people’s gear.

Stringed musical instruments, no matter the price, need to be taken care of in all aspects. This is why you need something to help you take good care of your stringed musical instrument no matter what happens. A good choice would be to pick a stand so that it will not be prone to falling and the like.

You can do the following to fine tune your stringed musical instrument and keep it in the right track:

  1. Replacing strings when needed. When your strings get worn out, you will have to replace them, or buy extras at the very most. Having an extra set of strings at home or on a gig is important so that should your strings break during an emergency, you will have some spares to keep in touch with.
  2. Polishing your stringed musical instrument body. This is important for when you want a more polished and attractive stringed musical instrument, so that it will also get protected from debris and dust that might enter your home or the venue. Most gigs are filled with smokers so it is important that your stringed musical instrument body is dust-resistant.
  3. Wiping the surfaces, especially the fretboard. The fretboard or fingerboard is one of the things that get the most kinds of dirt and debris, and this is why you should wipe it from time to time to avoid passing on the damage to your strings.
  4. Using approved cleaners for your stringed musical instrument finish. You should only use stringed musical instrument cleaners that are safe for your stringed musical instrument’s finish, so as not to damage the surface and cause unwanted cosmetic damages. The key is to track down your stringed musical instrument user manual so that you will know which kind of cleaner is okay for it.
  5. Investing in a stringed musical instrument stand. One great thing that stringed musical instruments should have is the stringed musical instrument stand. The stand will be able to protect your stringed musical instrument at all times and not let it fall to the ground. Most of them even have a rubber foam for the holders so that the finish of your stringed musical instrument will not easily fade or get scratched.
  6. Investing in a stringed musical instrument case or travel bag. Consider a durable case or bag so that you can travel with it with great ease. For airplane travel, consider a hard case so that it will not trouble you too much. If you can, consider adding a lot of stuffing onto your bag, such as t-shirts and bubble wrap.
  7. Using friendly materials for your stringed musical instrument finish. This can be microfiber cleaners like cloths and the like. The goal is to use these kinds of materials so that the rough surfaces won’t get the finish of your stringed musical instrument damaged later on.

Q: What are the challenges that stringed musical instrument players often face?

A: Playing a stringed musical instrument is never an easy task. You have to keep in mind many parameters such as stage presence, precision of your chord fingers, timing or tempo, cables dangling around and connection with your crowd or audience. Stringed musical instrument players are often challenged with innovation and improvisation, but all instruments do require creativity, anyway. This instrument, however, requires physical strength as well.

Here are some things that could get out of hand when playing the stringed musical instrument:

Pick slipping away This always happens to most people who use the pick and then get all sweaty with their hands and their performance. If this happens to you a lot more often, consider not using a pick, or alternatively, use a cheaper pick that you are willing to lose anyway. Or, you can also tie your pick by inserting a hole and string onto it.
Muffled or choked sound This happens if you press too hard on the fret and fretboard. Consider finding the right tension so that you will not end up making a choked sound when you press onto the chords of your stringed musical instrument.
Hurting fingers Consider resting for a while or using lighter gauge strings. You can also switch to nylon because steel string stringed musical instruments can be harsh for beginners to learn, anyway. You can also consider topical creams to alleviate some of the pain.
Note pressure and stretching fingers Make sure you practice some more so that you don’t have to work too much on stretching fingers, and use alternative hand positions that work much better.

Q: What exactly do you need to be able to mix your own tracks at home?

A: There are only a few things that you need to be able to mix your own songs at home:

Monitors By monitors, we mean speakers. Unless you live in an apartment or with your parents and you can’t blast your Metallica sounding stringed musical instruments but you still want to mix your music, consider quality headphones instead. But for people who have the privilege of living alone and not worrying about a complaining neighbor, get a good pair of studio monitors.
Computer You don’t have to get a Macbook Pro to be called a “musician” or “sound engineer”. Any computer capable of having a good sound card can produce music – it’s just that some musicians are already rich enough to buy a high-spec Macbook, that’s all. Whether it’s an outdated Windows XP (because that can still run lower versions of FL Studio, mind you) or a Windows 8 notebook, it’s all in how you make your music that counts.
DAW The DAW or the Digital Audio Workstation will be the platform by which you will mostly mix your tracks, or create music if you don’t have an instrument (or even a MIDI controller). Many aspiring musicians in the world started with a demo version of FL Studio but are now expanding to Ableton + Launchpad and Cubase. Everyone starts at something and then upgrades once they’re ready to face new challenges.
Musical instrument of choice Whether you’re a stringed musical instrument player, a piano player, a drummer or whatever instrument you have and currently play, you just need a nice cable to connect it to your computer in order to be able to record the sounds directly. Usually, stringed musical instruments are easy for this but for pianos and keyboards, you’ll benefit more from a MIDI controller or MIDI-enabled keyboard so you can edit notes. The same is true with electronic drums.
Lots and lots of listening experience Most people begin with not knowing how to pan their tracks to the left and right channels. Most don’t know what clipping means and why the correct volume or levels are important when mixing a song. It’s all in the learning process, and you’ll learn as you listen and produce. It may take years for you to learn, but it’s nothing learned overnight, like drawing or playing the stringed musical instrument.
Acoustic treatment This is something that beginners who started with a MIDI sequencer or FL studio probably wouldn’t know yet, because they’re probably that person whose parents don’t even know that they make music. But if you do have the opportunity, you should build an acoustic panel so that you’ll have a better feel for your sound, and you probably won’t even need those studio headphones that much.

Q: What are the important steps of mixing?

A: There are certain things that you need to do first in order to mix properly, such as the following:

  1. Make your acoustic panel, or setup your room. If you have the room to yourself without worrying about installation of hardware, you can make your very own acoustic panel. There are many tutorials on YouTube out there on how to acoustically treat your room.
  2. Listen to reference mixes that sound professional. You need some reference material in order to mix your sound more properly. If it will be a jazz song you will be mixing, consider consulting jazz songs that are already existing and have been mixed and mastered profoundly and professionally.
  3. Mix a little bit while you produce. This includes adding effects and already assigning this and that track to this instrument or recording so you won’t get confused later on. Should you want to add a delay effect  to this track, add it right now and tweak it so that you won’t lose the idea later on. Most people miss things if they just produce and don’t consider how it will be mixed later on.
  4. Organize everything you have in colors or folders. Whatever DAW you have, you will most likely have a color coding system, whether in Pro Tools or FL Studio. Color coding makes the job easier, so you can group your percussions into blue channels, stringed musical instruments into green, vocals into yellow, synths and strings into pink or red, and so forth. You should also organize project files of vocals, stringed musical instrument riffs and the like, so they will be easier to find.
  5. Never forget to stick to your own style, despite “standards” of production. It’s okay to break some rules, provided that what your music sounds like will still be pretty decent for people. For instance, some people have this symmetrical OCD where they just don’t like panning one instrument to the left only, but want to pan another instrument to the right as well for a sense of symmetry. It really depends on your personal wants and needs.
  6. Remove unimportant parts of your project or tracks. This includes silences, clicks or wrong takes in recordings and so much more. You should also omit tracks that do not have any audio on them so as not to waste space.
  7. Keep the gain (or level of volume) to a reasonable level. Unless you’re going for an EDM war genre, gain or volume should be in the right levels so that it will not sound too jarring for people, especially the professionals. It should not be above 0 dB as much as possible. If you are in doubt, use a compressor or a limiter to limit the sound levels.
  8. Take a break once in a while. Don’t get too stressed trying to think of things – sometimes, you may need a break, just like with practicing stringed musical instrument. Relaxing and taking a light snack can also help you to think things over when you’re not in the control room, or in front of your laptop or tower PC.
  9. Don’t make your recording too perfect. Let’s face it – you are probably trying to make it sound too perfect because you want to impress the other sound engineers, or you don’t want to embarrass yourself with so many critiques once you submit your demo to XYZ label or music company. People make mistakes and that’s alright – mixing is always something about trial and error, and there shouldn’t really be competition at all.
  10. Don’t try to EQ everything – that’s kind of an overkill. Some plugins themselves like synthesizer VSTs do already have an EQ function. EQ-ing everything is basically being a redundant perfectionist (mentioned above) and it will be super time consuming. Consider using the preset EQs of these plug-ins to cut off the muddiness or the resonance of the sounds (mentioned below).
  11. Get rid of the muddy and over resonant sounds. Muddy sounds refers to the grumbling low frequency noise that may need to be cut off to avoid total destruction and clipping. Resonant sounds, when overused, such as in vocals, in cutoff filters and lead stringed musical instruments, may also hurt people’s ears, especially if they’re listening to your track with earphones from Spotify (earphones lack bass and focus on treble and mid tones). Consider balancing your sound with better EQ techniques.
  12. Add compression at your own discretion. Most people like to add compression to have a feel of an EDM track, while others just add it just because. It really depends on the kind of style you want. Some just want a super clean and professionally sounding mix. Others intentionally sidechain the whole thing because “hell yeah it’s fun party music” so to each their own thing.
  13. Never stop practicing. Mixing your tracks takes years of practice, as well as trial and error. Don’t be ashamed if your first songs sound really jarring, with muddy bass lines, uncompressed drum sounds that sound flat, too much gain and whatever mistakes you might have made – practice gets you somewhere.

Q: Which is better: a real amp or a VST amp?

A: Most people nowadays depend on a VST amp instead of a real amp, due to the many benefits. Here are the pros and cons of using a VST amp:

First, here are the pros:

It’s crazy cheap Some will cost you less than a digital amp and some are even for free!
It takes zero physical space VSTs only stay in your computer – not beside your bed!
No acoustic treatment needed If you don’t have the privilege of having your own acoustically treated studio (e.g. you’re still living with your parents or in a bite-sized apartment room where tenants can be strict with installations), VSTs are the way to go because you can just add virtual reverb to them to make them sound more decent.
It can generate any kind of sound or effect that you wish to have You don’t have to get an effect pedal to get the sound you want – VSTs are made to sound like anything – from your grandpa’s tube screamer to the digital amps of today.

Meanwhile, here are the cons:

Audio clarity or latency may depend on your computer If your computer is pretty old, it most likely doesn’t have a decent sound card. And if you do try to a buy a sound card for it, the processor might not be well-built for your current DAW of choice, resulting in lack of latency and audio clarity when recording.
Your grandpa might not like the idea Of course, there’s always grandpa, ranting about how his tube screamer is way better than your “digital misfits”.

Q: Does gear quality affect your skill as a stringed musical instrument player?

A: Some people value gadgets over skill, which is wrong. Gadgets are just an added flavor, but the true taste of your music depends on how you are able to play and execute your riffs from the heart and soul. If you want to be a great player, you need to put all aspects together and leave nothing behind.

Q: What are the important stage etiquette that bands need to remember during a performance?

A: Your music is one thing, but stage presence and personality is another. Here are important values and etiquette you need to put up while on stage, so that other bands will return the respect:

  1. Dress properly. In some countries, clubs and venues are just not that strict with bozos wearing this and that, resulting in some band members wearing tank tops or being shirtless while their gross sweat falls off their Fenders. It’s pretty gruesome and unprofessional for most people.
  2. Come prepared. Always come with well-practiced pieces, complete set of gear and spares of picks and strings, if ever. Have an extra change of clothes and other important things you need for emergencies.
  3. Set up things quickly. In most battle of the bands competitions, setup time can have an effect towards a band’s score, should they take too long with setting up everything. Some bands are so lazy that they even forgot to tune their stringed musical instrument to drop D, or they forgot that one of their string broke and hurriedly borrow a stringed musical instrument from another guy they barely even know.
  4. Don’t be obvious with mistakes. You’ve done something unacceptable in the ears of the professionals – that doesn’t mean you should worry about it. Keeping your cool even in the event of a mishap on stage is part of professionalism. Even if you hit that A major wrong or unintentionally dropped your pick into your acoustic stringed musical instrument sound hole, that’s not going to be the end of the world. As the saying goes, “the show must go on!”.
  5. Keep a positive vibe. Nothing gets people moving than having a positive attitude on the stage. It not only helps your audience party better and relate to your music more, but it also keeps the other bands interested and pumped up.

Q: What are the do’s and don’ts of store etiquette?

A: Imagine going into one stringed musical instrument store after another and hearing someone playing “Stairway to Heaven”. If that doesn’t jar your ears, we don’t know what will. Here are some do’s and don’ts of store etiquette:

Do the following:

  1. Ask the staff for assistance.
  2. Respect other players and customers.
  3. Spend a decent amount of time trying different stringed musical instruments.
  4. Observe how other players test their stringed musical instruments and learn from them.
  5. Help newcomers decide, if they ask you a question about gear.

Don’t do the following:

  1. Turn up the amp too loudly when testing.
  2. Play overrated stringed musical instrument riffs.
  3. Be rude to other customers and to the staff.
  4. Make the shop into your personal concert venue.
  5. Touch stuff you have zero knowledge of.

Q: What if I want to buy a stringed musical instrument but I have little budget, but I want to learn?

A: Here are some budget-saving tips in terms of learning how to play the stringed musical instrument and purchasing gear:

Consider acoustic vs. electric Acoustic stringed musical instruments are more expensive but electric stringed musical instruments are also expensive because you have to buy an amp for them.
Laminated vs. solid body Solid body ones tend to produce more tone while laminated ones tend to be weaker in tone.
Nylon vs. steel string Nylon ones are easier to play while steel ones are harder to play.
Have a budget of at least $100 for a decent electric stringed musical instrument This is because anything cheaper than that will only waste you money.
Consider quality brand names if you are a beginner These include: Fender, Ibanez, Dean, Epiphone, Gibson, Yamaha, Ovation, Taylor, Seagull and many more.
Search for second-hand Consider second-hand options like those posted in eBay or Craigslist.

Q: What are some of the most common mixing mistakes?

A: If you are new to mixing your own songs or tracks, here are some things you might be doing wrong:

  1. Leaving some parts unedited. Make sure you go through your entire mix and track and inspect which parts need to be omitted.
  2. Not compressing tracks. Compression adds a lot of heaviness and oomph to the mix, and it will definitely move your audience and make it less flat.
  3. Not leaving headroom for mastering gain. Mixing and mastering are two different things – mastering involves adding gain but not too much gain, to level out your mixed tracks.
  4. Depending on presets all the time. Don’t be lazy by just using the presets – tweak it a little bit so that you can personalize your sounds much more.
  5. Overpowering your drums too much. Drums are supposed to be in the background, unless it’s a drum and bass song.
  6. Not grouping or bussing similar tracks together. Grouping is essential for easy mixing, so that you’ll know what to mix later on in a single fader.
  7. Not using the EQ wisely and in a more defined way. Consider using the EQ to take out low cuts completely and too profound resonant sounds as much as possible.
  8. Putting too much reverb, unless your genre is ambient. Reverb can make a mix muddy and feel like you’re drowning in the sea – unless you want it to be that way.

Q: What are the different kinds of strings?

A: Strings for a stringed musical instrument can vary in size, shape and other factors, such as the following:

Coated or uncoated – It should be indicated if it is coated or not coated, because some people prefer coated ones for corrosion issues. Coated ones are more protected against rusting but can have lack of tone and color. Uncoated ones have more color and tone, but are not safe against corrosion.

Wrap – It should be indicated as well if it is roundwound, half wound or flatwound. All three of these wrapping styles can have an effect on the overall tone. Roundwound ones have a rounder set of coils, while flatwound ones have flat. Half Wound is somewhere in between.

Bronze type – Bronze can come in either phosphor bronze or 80/20 bronze, which are both durable, but 80/20 bronze types are more popular. Whichever you choose, it can have an effect to your stringed musical instrument sounds.

Core type – This can vary between hex core and round core. Hex core shaped ones have a hexagon-like shape while rounded ones are self-explanatory.

Q: What materials or wood species are typically used for a stringed musical instrument neck?

A: The neck material is important so that your stringed musical instrument will be able to withstand the test of time, since the neck is what you hold onto. Here are common wood species for the stringed musical instrument neck:

Mahogany Mahogany has a good density and is a popular type of wood for stringed musical instrument necks.
Maple Maple is better in density because it is heavier, so it is great for added sustain.
Zebrano It is great for stiffness and it might also look aesthetically cool.
Ebony, rosewood, limba, ovangkol and wenge They are great for electric stringed musical instruments due to their decent amount of responsiveness.

Q: How do you take care of your hands for stringed musical instrument playing?

A: Stringed musical instrument playing involves one important aspect – having healthy hands. Here are the most important things to consider:

  1. Take care of your calluses.
  2. Get your nails trimmed.
  3. Do some warm-up exercises with your fingers before playing.
  4. Keep your hands moisturized.

Q: What are the different kinds of woods for stringed musical instrument?

A: Wood materials for a stringed musical instrument have different tones, such as the following:

Part of the stringed musical instrument Wood specie Tone
Body Alder Balanced
Basswood Slightly warm
Mahogany Very warm
Swamp ash Slightly bright
Walnut Very bright
Koa Warm
Maple Extremely bright
Rosewood Extremely warm
Fingerboard Ebony Extremely bright
Maple Very bright
Rosewood Balanced
Neck Wenge Slightly bright
Maple Very bright
Koa Slightly warm
Rosewood Very warm
Mahogany Very warm

Q: What can you do to stop the stereotype about girls not playing stringed musical instrument?

A: Girls can play stringed musical instrument, and to break the stereotype, here are things you can do:

  1. Teachers and schools should include the stringed musical instrument in their music class.
  2. Parents should realize that the stringed musical instrument can be used by both genders.
  3. Encourage girl bands and girl band members to continue their passion.

Q: What are the benefits of writing your own songs?

A: Aside from playing stringed musical instrument, you can also write songs, which has many benefits, such as:

  1. Enhanced creativity
  2. Relief from stress
  3. Ability to tell stories

Q: What are the frequencies of the low, mid and high frequencies?

A: In equalizing your mix, there are low, mid and high frequencies that you should tweak to improve your sound:

Low – found from 200 to 250 Hz

Low to mid – found around 500 Hz

High – found from 1 to 20 kHz

Wrapping It Up

Overall, we think that the Xvive U2 rechargeable is our pick for the best wireless guitar system due to the simplicity of the setup and inclusion of everything you need, such as the transmitter, receiver and power cable. It can also reach for up to 100 feet.